7 avr. L'hôtel Basss hôtel proposant une hôtellerie moderne et design inspiré du graphiste Saul Bass. 10 avr. Bass developed iconic, influential and noteworthy title sequences employing distinguished kinetic typography for motion pictures, including The Man with the Golden Arm (1955), North by Northwest (1959), Vertigo (1958) and Psycho (1960). DoubleBass looks great in logos and titling and covers +70 languages including Russian cyrillic. Reviews “ The template is well done, good design and simple code. Saul Bass (Nueva York 1920 , Los Angeles 1996) diseñador gráfico y cineasta, conocido sobre todo por su trabajo en cine como diseñador de títulos de crédito y carteles cinematográficos. -The Girl Scouts Logo designed by Saul Bass-I heart NY logo designed by Milton Glaser – IBM logo (illustrated version) by Paul Rand. Voir plus d'idées sur le thème graphiste, affiche, saul bass. Saul Bass | Graphiste. [6], Anlässlich seines 93. Geburtstags am 8. B. für Alfred Hitchcocks Psycho und Vertigo – Aus dem Reich der Toten. All images are copyrighted and strictly for educational and viewing purposes. [7] Es inspirierte auch die deutsche Presse zu einem Gedenken an den „legendären Vater des Filmvorspanns“. He was a pioneer of the modern title sequence designing. During 1940’s he took up some Hollywood projects, which involved the print work for promotional purposes. Saul Bass, George Him, Patrick Tilley, Tom Eckersley, Herbert Leupin, Savignac Topolski, Heinz Kurth and many other artists .AP also had a very strong group of fashion illustrators like Aubrey Rix, Beryl Hartland, Alistair Michie, and figurative artists Susan Einzeg and Harry Hants, Ken Wynn and Ben Ostrick who worked across all fields of publishing and advertising. 2014 - Explorez le tableau « Saul Bass » de Justine Ferrer, auquel 415 utilisateurs de Pinterest sont abonnés. With the opportunity, came the realization that the title sequence can not only be served as mere static credits but it can enhance the watching experience of the audience. A creative child, he drew constantly. Mai 1920 in New York City, New York State; † 25. Saul Bass (/ b æ s /; May 8, 1920 – April 25, 1996) was an American graphic designer and Oscar-winning filmmaker, best known for his design of motion-picture title sequences, film posters, and corporate logos.. During his 40-year career, Bass worked for some of Hollywood's most prominent filmmakers, including Alfred Hitchcock, Otto Preminger, Billy Wilder, Stanley Kubrick and Martin Scorsese. Neben der angenehm wenig reißerischen Inszenierung bleiben vor allem die fantastischen Insektenaufnahmen von Ken Middleham (Die Hellstrom-Chronik, Feuerkäfer) in Erinnerung. 1954 beauftragte ihn Otto Preminger, für seinen Film Carmen Jones die Titelsequenz zu gestalten. All rights reserved. He attended night classes with a famous Hungarian-born designer, György Kepes. Seine Eltern waren russisch-jüdische Einwanderer aus der Arbeiterklasse, die sein frühes Interesse an der Kunst förderten. Bass decided to create a controversial title sequence. Pionnier du générique animé et du "before time". – Saul Bass. [8], Good Fellas – Drei Jahrzehnte in der Mafia, Der letzte Komödiant – Mr. Saturday Night, Interview with Olivier Kuntzel and Florence Degas, designers of the, Interview with Simon Clowes, designer of the, https://de.wikipedia.org/w/index.php?title=Saul_Bass&oldid=209580549, „Creative Commons Attribution/Share Alike“, US-amerikanischer Filmemacher, Grafikdesigner, Illustrator und Typograf. Brooklyn College. 27 sept. 2014 - Explorez le tableau « Saul Bass » de Zuma paris, auquel 212 utilisateurs de Pinterest sont abonnés. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Born: New York, New York, “My initial thoughts about what a title can do was to set mood and the prime underlying core of the film’s story, to express the story in some metaphorical way. Bass famously claimed that he directed the highlight of Psycho, the tightly edited shower-murder sequence, though many on set at the time (including Janet Leigh) dispute this contention. Es folgten 1955 Aufträge von Robert Aldrich, den Titel zu Hollywood-Story (The Big Knife) und, von Billy Wilder, den Vorspann für Das verflixte 7. Bass gestaltete noch kurz vor seinem Tode gemeinsam mit seiner Frau Elaine den vielbeachteten Vorspann zu Scorseses Casino von 1995. Bass was one of the first to realize upon the storytelling potential of the opening and closing credits of a film. He largely designed motion picture title sequences, corporate logos and movie posters. (1920-1996) Mai 2013 ehrte Google Saul Bass mit einem Google Doodle, in dem seine Filmvorspänne in abgewandelter Form in einem Kurzfilm (Länge: 1:21 Minuten) weltweit sichtbar zusammengestellt waren. OpenLink Faceted Browser; OpenLink Structured Data Editor The song titled ‘Be Free’ was performed live on the David Letterman show a little while back. Faceted Browser ; Sparql Endpoint ; Browse using . In 1954, Bass finally had his big break as he was offered a job by the filmmaker Otto Preminger to design a poster for Carmen Jones. Beispiele sind Catch Me If You Can (2002),[4] X-Men: First Class (2011)[5] und zur Fernsehserie Mad Men. Oct 25, 2018 - 501 Likes, 13 Comments - CREATIVITY | VISION | DESIGN (@launchdsigns) on Instagram: “Just bringing it all together Image by @keremcgrc #LD_keremcgrc | @launchdsigns⠀⠀ ⠀⠀ Selected by…” Contact Shop3D . Saul Bass wurde 1920 im New Yorker Stadtteil Bronx geboren. Zu Bass’ Mitarbeit an der legendären Duschszene in Psycho gab es im Nachhinein Kontroversen; seine Mitwirkung ist jedoch inzwischen durch Storyboards und Skizzen belegt worden.[3]. Bass realized the potential of title sequence if incorporated with the right audio and visual sequence can help set the mood and theme at the opening of a film. Für Preminger gestaltete Bass sämtliche Filmtitel bis 1979 (Der menschliche Faktor, Premingers letztes Werk). title=”web analytics” href=”http://statcounter.com/” Überdies schuf er über 40 Filmvorspänne (Motion-Design), z. Essentiellement reconnu dans le domaine cinématographique (Preminger, Htchcock, etc.) He began his time in Hollywood doing print work for film ads, until he collaborated with filmmaker Otto Preminger to design the movie poster for his 1954 film Carmen Jones. Seine Eltern waren russisch-jüdische Einwanderer aus der Arbeiterklasse, die sein frühes Interesse an der Kunst förderten. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.” He also designed the Student Academy Award for the Academy of Motion Picture Arts and Sciences. Im Jahr 1969 wurde er für den animierten Kurz-Dokumentarfilm Why Man Creates mit dem Oscar in der Kategorie „Bester Dokumentar-Kurzfilm“ ausgezeichnet; eine weitere Oscarnominierung erhielt er 1978 für Notes on the Popular Arts und 1980 für The Solar Film, beide Male in der Kategorie „Bester Kurzfilm“, bei letzterem gemeinsam mit Michael Britton. Saul Bass (Graphiste) Entrer en Contact. Eine besondere Beziehung hatte Bass zu Alfred Hitchcock. 07.Haz.2013 - Bu Pin, John Jordan tarafından keşfedildi. May 22, 2013 - Explore our collection of original Saul Bass Archive - Film Posters movie posters online and in Los Angeles @ FilmArt Gallery. Es gibt viele Filmvorspänne in heutiger Zeit, die sich an den grafischen Stil von Saul Bass anlehnen, speziell diejenigen, die in den 1960er Jahren spielen. 5 déc. He began his time in Hollywood doing print work for film ads, until he collaborated with filmmaker Otto Preminger to design the movie poster for his 1954 film Carmen Jones. Découvrez vos propres épingles sur Pinterest et enregistrez-les. Often, a single dominant image stands alone to deliver a powerful message. We tour his amazing work in logo, film poster and title design. Jahr (The Seven Year Itch) zu gestalten. Saul Bass was a prominent American graphic designer of the twentieth-century. Die Filmtitel und Trailer von Bass in den 1960er Jahren gelten als ebenso stilprägend wie die Vorspänne des Titeldesigners Maurice Binder in den früheren James-Bond-Filmen.